Feminisme Populer dalam Iklan Digital: Analisis Femvertising pada Konten Instagram @sascofficial Periode 2021-2025

Authors

  • Novicky Alban Adiputra Program Studi Desain Komunikasi Visual, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Swadaya Gunung Jati

DOI:

https://doi.org/10.36982/jsdb.v10i3.5913

Keywords:

Popular Feminism, Femvertising, Social Media Advertising, Semiotics, Discourse Analysis

Abstract

The discourse of feminism within commercial contexts often contains pseudo pro-women messages, particularly when feminist values are reduced to marketing strategies through femvertising. Within the beauty industry, brands utilize social media as a cultural space that enables the continuous reconstruction of female representations to be consumed visually and emotionally. Therefore, this study aims to uncover the visual and verbal meanings in the digital advertisements of Instagram @sascofficial by examining how feminist discourse is represented, the extent to which feminist values are commodified through femvertising, and the ideological messages conveyed. Using a qualitative approach, Roland Barthes’ semiotic analysis and Norman Fairclough’s critical discourse analysis were applied to five uploaded contents from 2021 to 2025. The findings show that @sascofficial reconstructs female figures into two types of representations, collective inclusive femininity and individual sensual femininity, which are both framed as forms of empowerment. The results also reveal that visual elements, emotions, and identity are combined to render popular feminism easily consumable within digital culture. Femvertising appears in varying intensities, both explicitly and implicitly, functioning to connect audiences with the brand and its products through a commodified form of feminist discourse. This study concludes that @sascofficial’s content from 2021–2025 does not contain an authentically pro-women message but instead operates within a structured femvertising framework designed to enhance sales by creating emotional bonds through deliberately constructed female figures.

References

Alfachrin, Putri Annisya., Syafrin, Nirwan., & Rahman, Imas Kania. (2023). Penyebaran Paham Feminisme di Media Sosial Instagram: Studi Kasus Instagram @Indonesiafeminis. Dawatuna: Journal of Communication and Islamic Broadcasting. https://doi.org/10.47476/dawatuna.v3i1.2277 DOI: https://doi.org/10.47467/dawatuna.v3i1.2277

Allen, Graham. (2013). Roland Barthes. Routledge.

Atkinson, A. M., Meadows, Beth., Emslie, Carol., Lyons, A., & Sumnall, H. R. (2022). ‘Pretty in Pink’ and ‘Girl Power’: An Analysis of The Targeting and Representation of Women in Alcohol Brand Marketing on Facebook and Instagram. International Journal of Drug Policy, 101, 103547. https://doi.org/10.1016/j.drugpo.2021.103547 DOI: https://doi.org/10.1016/j.drugpo.2021.103547

Banet-Weiser, Sarah. (2018). Empowered : Popular Feminism and Popular Misogyny. Duke University Press. DOI: https://doi.org/10.1515/9781478002772

Banet-Weiser, Sarah., Gill, Rosalind., & Rottenberg, Catherine. (2020). Postfeminism, Popular Feminism and Neoliberal Feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in Conversation. Feminist Theory, 21(1), 3–24. https://doi.org/10.1177/1464700119842555 DOI: https://doi.org/10.1177/1464700119842555

Barthes, Roland., & Lavers, Annette. (1957). Mythologies. The Noonday Press.

Cefai, Sarah. (2020). Contemporary Feminist Media Cultures. In The International Encyclopedia of Gender, Media, and Communication (pp. 1–10). Wiley. https://doi.org/10.1002/9781119429128.iegmc290 DOI: https://doi.org/10.1002/9781119429128.iegmc290

Dzulfikar, Daris. (2023). Resistensi Para Tokoh Perempuan dalam Film Yuni: Kajian Feminisme Kekuasaan. Besaung : Jurnal Seni Desain Dan Budaya, 8(1). https://doi.org/10.36982/jsdb.v8i1.2832 DOI: https://doi.org/10.36982/jsdb.v8i1.2832

Etikan, Ilker., Musa, Sulaiman Abubakar., & Alkassim, Rukayya Sunusi. (2016). Comparison of Convenience Sampling and Purposive Sampling. American Journal of Theoretical and Applied Statistics, 5(1), 1. https://doi.org/10.11648/j.ajtas.20160501.11 DOI: https://doi.org/10.11648/j.ajtas.20160501.11

Fairclough, Norman. (1995). Critical Discourse Analysis : The Critical Study of Language. Longman.

Ferguson, Margaret. (2004). Feminism in Time. Modern Language Quarterly, 65(1), 7–28. https://doi.org/10.1215/00267929-65-1-7 DOI: https://doi.org/10.1215/00267929-65-1-7

Halim, Bobby. (2017). Kajian Semiotika pada Iklan Televisi Olx.co.id “Bekas Jadi Berkah.” Besaung : Jurnal Seni Desain Dan Budaya, 2(2). https://doi.org/10.36982/jsdb.v2i1.277 DOI: https://doi.org/10.36982/jsdb.v2i1.277

Hanafy, Ihab Mahmoud., & Sanad, Reham Abdelbaset. (2016). A Cross-Cultural Study of Emotional Responses on Colours. New Trends and Issues Proceedings on Humanities and Social Sciences, 2(1), 53–60. https://doi.org/10.18844/prosoc.v2i1.277 DOI: https://doi.org/10.18844/prosoc.v2i1.277

Harmasari, Lili., Karman, Andi., Madeamin, Sehe., & Taupiq, T. (2023). Bahasa dan Ideologi Dalam Iklan Skincare Somethinc (Kajian Analisis Wacana Kritis Norman Fairclough). Jurnal Dieksis ID, 3(2), 171–180. https://doi.org/10.54065/dieksis.3.2.2023.372 DOI: https://doi.org/10.54065/dieksis.3.2.2023.372

Helnaz, Regina Nopia., & Suharjo, Rias Antho Rahmi. (2025). The Beauty Myth and Male Gaze in Emeron Lovely Hand & Body Lotion Advertisements. Jurnal Onoma: Pendidikan, Bahasa, Dan Sastra, 11(2), 1918–1931. https://doi.org/10.30605/onoma.v11i2.5683 DOI: https://doi.org/10.30605/onoma.v11i2.5683

Iswandi, Heri., Prasetya, Didiek., & Amalia, Shalyna Nadya. (2025). Analisis Semiotika Roland Barthes pada Kain Songket Silungkang Kota Sawahlunto Provinsi Sumatera Barat. Besaung : Jurnal Seni, Desain Dan Budaya. https://doi.org/10.36982/jsdb.v10i2.5752 DOI: https://doi.org/10.36982/jsdb.v10i2.5752

Kumalaningtyas, Nur., & Sadasri, Lidwina Mutia. (2018). Citra Tubuh Positif Perempuan dalam Iklan Video Digital (Studi Femvertising pada Iklan Dove Real Beauty). In Jurnal Diakom (Vol. 1, Issue 2). DOI: https://doi.org/10.17933/diakom.v1i2.19

Li, Siqi., & Jongbin, Park. (2024). The Impact of Social Media on Visual Communication Design. Journal of New Media and Economics, 1(2), 138–145. https://doi.org/10.62517/jnme.202410223 DOI: https://doi.org/10.62517/jnme.202410223

Lubis, Rivaldiansolih., & Murhayati, Sri. (2025). Karakteristik Penelitian Kualitatif Tujuan dan Manfaat Penelitian Kualitatif. Jurnal Pendidikan Tambusai, 9(2), 13066–13073. https://doi.org/10.31004/jptam.v9i2.27044

Malinowska, A. (2020). Waves of Feminism. In The International Encyclopedia of Gender, Media, and Communication (pp. 1–7). Wiley. https://doi.org/10.1002/9781119429128.iegmc096 DOI: https://doi.org/10.1002/9781119429128.iegmc096

Nehere, Kalpana. P. (2016). The Feminist Views: A Review. Feminist Research, 1(1), 3–20. https://doi.org/10.21523/gcj2.16010101 DOI: https://doi.org/10.21523/gcj2.16010101

Patriansah, M., Sapitri, R., & Prasetya, D. (2022). Semiotika Roland Barthes Dalam Iklan Rinso ‘Yuk Mulai Bijak Plastik!’. Narada: Jurnal Desain dan Seni, 9(1), 1-10. https://dx.doi.org/10.53666/artchive.v4i1.3767 DOI: https://doi.org/10.22441/narada.2022.v9.i3.004

Pham, Tam. (2022). Individualism and Collectivism in Advertising – An overview. Journal of English Language Teaching and Applied Linguistics, 4(1), 30–36. https://doi.org/10.32996/jeltal.2022.4.1.3 DOI: https://doi.org/10.32996/jeltal.2022.4.1.3

Prasetya, Didiek., Iswandi, Heri., & Iqbal, Choirul. M. (2025). Analisis Semiotika Roland Barthes pada Logo HUT ke-23 APEKSI 2023. Besaung : Jurnal Seni, Desain Dan Budaya. https://doi.org/10.36982/jsdb.v10i2.5747 DOI: https://doi.org/10.36982/jsdb.v10i2.5747

Rahmat, Alyssa Melita., & Tambunan, Shuri Mariasih Gietty. (2020). Female Empowerment and Femininity in Barbie’s “You Can Be Anything” YouTube Channel Campaign. Proceedings of the International University Symposium on Humanities and Arts (INUSHARTS 2019). https://doi.org/10.2991/assehr.k.200729.013 DOI: https://doi.org/10.2991/assehr.k.200729.013

Sutedja, Michel., & Athoriq, Fairuz. (2021). Fotografi Monokromatik Hitam Putih dalam Dunia Fotografi Modern. WIDYAKALA: Journal Of Pembangunan Jaya University, 8, 46. https://doi.org/10.36262/widyakala.v8i0.390 DOI: https://doi.org/10.36262/widyakala.v8i0.390

Suwastini, N. K. A. (2013). Perkembangan Feminisme Barat dari Abad Kedelapan Belas hingga Postfeminisme: Sebuah Tinjauan Teoretis. Jurnal Ilmu Sosial Dan Humaniora, 2(1). https://doi.org/10.23887/jish-undiksha.v2i1.1408 DOI: https://doi.org/10.23887/jish-undiksha.v2i1.1408

Vathani, J. Mathi. (2023). The Emotional Impacts of Colour Perception. International Journal of Research Creative Thoughts (IJRCT), 11 (9), b216-b221. http://www.ijcrt.org/papers/IJCRT2309147.pdf

Warhani, Ariani., Sabana, Setiawan., & Ardianti, Ira. (2017). Representasi Perempuan Indonesia Melalui Artikel Mode pada Majalah Femina. Panggung, 26(4). https://doi.org/10.26742/panggung.v26i4.204 DOI: https://doi.org/10.26742/panggung.v26i4.204

Zahra, Nurmalita., & Mansoor, Alvanov Zpalanzani. (2024). Warna dan Emosi untuk Media Desain Interaktif: Literature Review. Gorga : Jurnal Seni Rupa, 13(1), 340–345. https://doi.org/10.24114/gr.v13i01.57946 DOI: https://doi.org/10.24114/gr.v13i01.57946

Downloads

Published

2025-11-19

How to Cite

Adiputra, N. A. (2025). Feminisme Populer dalam Iklan Digital: Analisis Femvertising pada Konten Instagram @sascofficial Periode 2021-2025. Besaung : Jurnal Seni Desain Dan Budaya, 10(3), 835–860. https://doi.org/10.36982/jsdb.v10i3.5913
external-statistic-user-interface-budi-arianto Abstract views: 474 / PDF downloads: 382