BENTUK DAN STRUKTUR PENYAJIAN MUSIK KULINTANG PADA PROSES ARAK-ARAKAN DALAM ADAT PERNIKAHAN SUKU KOMERING DI OKU TIMUR

Authors

  • Dedy Firmansyah Universitas PGRI Palembang

DOI:

https://doi.org/10.36982/jsdb.v1i2.131

Abstract

This research tittle is the Form And Strucuture Of Presentation Of Music In Process Kulintang Procession Komering Interest In Traditional Wedding In Oku East. Kulintang music is means of a tribal society of komering in marriage. That staging in customery marriage are parade process, milur dance, giving the customery law, and sada sabai dance. But in its development nowadays the existence of kulintang music is declining in customery marriage.

Based on the fact, this research aims to reveal the factors that affect the existence of kulintang music in East OKU. Besides, this research to do the description of analysis form and structure of kulintang music in every stage of the komering family marriage. Analysis includes the elements of musical the form and structure of the prersensation of kulintang music. The technique of collecting data to do with an observation, interviews, study says and documents. For analysis then used the method of analysis form and structure of music. In addition to the existence and the dynamics of the music kulintang not justbe descriptive, then this research will borrow the concepts of culture, music, and social community to have a perspective that is analytical. The study conclude that the cause of the decrease existence of the kulintang music in east OKU is because the disappearance of clan system in 1979. Clans system that change into district made there was no more loyality to the customery marriage process that use kulintang music. Internal and external factor are also influence thing to the existence of kulintang music. That internal and external factor consist of management, less of capability to play kulintang, motivation, finance, government role, and influence goreign culture.

 Keywords: kulintang; customery marriage; dynamics; form and structure music

Author Biography

Dedy Firmansyah, Universitas PGRI Palembang

Program Studi Sendratasik

References

Badan Pusat Statistik OKU Timur,Ogan Komering Ulu Timur Dalam Angka 2013:OKU Timur, 2013.

Banoe, Pono,Kamus Musik Pono Banoe.Yogyakarta: Kanisius, 2003.

Boskoff, Alvin, Recent Teories of Social Change. London: The Free Press and Glencoe, 1964.

Denzin, Norman K.,&Yvonna S Lincoln,The Sage Handbook Qualitative Research 1. Yogyakarta: Pustaka Pelajar, 2011

_____________., The Sage Handbook Qualitative Research 2. Yogyakarta: Pustaka Pelajar, 2013.

Hastanto, Sri, Konsep Pathet dalam karawitan Jawa.Surakarta: ISI Surakarta Press, 2009.

_____________, Kajian Musik Nusantara-1.Surakarta: Institut Seni Indonesia Surakarta Press, 2011.

_____________, “Ngeng dan Rengâ€, Persandingan Sistem Pelarasan, Gamelan Ageng Jawa Dan Gong Kebyar Bali. Surakarta: ISI Surakarta Press, 2012.

Ismail, H.M. Hatta, Proses dan Tata Cara Adat Perkawinan Komering Ulu. Palembang: Univeritas Tridinanti, 1995.

Koentjaraningrat, Beberapa Pokok Antropologi Sosial.Jakarta: Dian Rakyat, 1967.

_________________, Sejarah Teori Antropologi I. Jakarta: UI Press, 2010.

Lipsitz, George, Footsteps In The Dark : The Hidden Histories Of Popular Music. Minneapolis: University Of Minnesota Press, 2007.

Melalatoa, M. Junus, Ensiklopedi Suku Bangsa di Indonesia Jilid A-K. Jakarta: Direktorat Sejarah dan Nilai Tradisional Direktorat Jenderal Kebudayaan, 1995

____________________, Ensiklopedi Suku Bangsa di Indonesia Jilid L-Z. Jakarta: Direktorat Sejarah dan Nilai Tradisional Direktorat Jenderal Kebudayaan, 1995

Merriam, Alan P., Anthropology of Music.Illinois: Northwestern University Press, 1964.

Moeliono, Anton M., Kamus Besar Bahasa Indonesia Pusat Bahasa.Jakarta: PT Gramedia Pustaka Utama, 2008.

Nasution, Nur Amin,Struktur Penyajian Kulintang di Desa Tanjung Kemala Kecamatan Martapura Kabupaten OKU Timur.Skripsi,Palembang:Universitas PGRI Palembang, 2013.

Parengkuan, Fendy E.W, Nelwan Katuuk dan Seni Musik Kulintang Minahasa.Jakarta: Departemen Pendidikan dan Kebudayaan, Direktorat Sejarah dan Nilai Tradisional, 1984.

Pranoto, Suhartono W., Teori & Metodologi Sejarah.Yogyakarta: Graha Ilmu, 2010.

Prastowo, Andi, Metode Penelitian Kualitatif Dalam Perspektif Rancangan Penelitian. Yogyakarta: Ar-ruzz Media, 2011.

Prier, Karl Edmund, Ilmu Bentuk Musik. Yogyakarta: Pusat Musik Liturgi, 1996.

___________________, Kamus Musik.Yogyakarta: Pusat Musik Liturgi, 2009.

Rahman, H.A., Pemerintahan Marga/Negeri Dalam Propinsi Sumatera Selatan Menurut Sejarahnya, Marga-Marga Dalam Daerah Propinsi Sumatera Selatan. Palembang: Majalah Berita Marga Edisi Pertama, 1968.

Ratna, Nyoman Kutha, S.U., Metodologi Penelitian Kajian Budaya dan Ilmu sosial Humaniora Pada Umumnya. Yogyakarta: Pustaka Pelajar, 2010.

Samosir, Djamanat, Hukum Adat Indonesia, Eksistensi Dalam Dinamika Perkembangan Hukum di Indonesia.Bandung: CV Nuansa Aulia, 2013.

Sembiring, Babas,Tehnik Pembuatan Gamelan di Surakarta. Surakarta: Dalam Jurnal Masyarakat Seni Pertunjukkan Indonesia, 1992.

Stein, Leon, Structure and Style The Study and Analysis of Musical Form. USA: Summy – Birchard Music Expand Edition New Jersey, 1979.

Walgito, Bimo, Pengantar Psikologi Umum.Yogyakarta; CV ANDIOFFSET, 2010.

Downloads

Published

2016-09-21

Issue

Section

Articles
external-statistic-user-interface-budi-arianto Abstract views: 1655 / PDF downloads: 798